Disruptive Technology

10 Years Later : Still Full of Surprises 2

SLOWEXPOSURES 2015

LOOKING AT 2 PICTURES

Jake Deese    Cody, Kimmy, David, and Stormy.Looking closely at details

Henry Jacobs    River Boys

After the exhibition was installed we began to notice that certain images created dialogues 

once you begin to spend time with them and look into the photograph's space and try to

find details about what is going on.Today Eye Caramba wrote on a Facebook post" Disruptive technology "

I love the pairing of these two words When I spoke about these two images I said I felt the photographer had 

intruded into a golden moments of youthful summers. 

Can we remember them without a snapshot.

Jake Deese's quartet of teenagers resting after river rafting are interesting because they are giving as much

as they are getting. Each one has an attitude from indifferent to agitated to cool disdain.Everything from posture to clothing

(what little) and facial mask add to our memories of being a teenager.The look of I am bothered but I am too cool to be.

Henry Jacobs' River Boys is gentle in its composition and the amount of space,light , river and sky each boy is given.

There is an airy idyllic sense to the day,just boys fishing.A timeless story I think I should let the artist speak here
" Chattahoochee river boys | The water moved steadily over and down the fifteen foot high dam, these young teenage boys out on the top ledge with their fishing poles like those before them have done for generations. I happened to be out on the river for @crkeeper when I passed by the scene early one summer morning. Fast forward to this weekend, and I had the opportunity to show it in good company with other photographers whose work was selected for Slow Exposures, a show that celebrates the rural south. Proud of that, and eager now to continue working on the river and sharing moments like this." like I said just boys fishing in the golden glow of youth and summer.

10 Years Later : Still Full of Surprises

SLOWEXPOSURES 2015
SNOW STORM
Preston Gannaway

Snow storm,, from the series Between the Devil and the Deep Blue Sea, Norfolk VA,    Preston Gannaway Okland CA

Just got back from the Southland.This year Jerry Atnip and I were ask to be jurors for the 13th annual Slowexposures competition. I had previously juried this event in 2005 with Celina Lunsford. At that time we created a little stir by choosing Wrapped Turkeys by Andy Scott of Atlanta for the first prize . Sometimes things change and sometimes they don't

Ten years doesn't seem like a long time anymore.Many changes have taken place not just the war between analog and digital but also the way we view pictures,what do they meanI think in this era while we are bombarded by images and on overload,we still want to be able to feel a connection.

Jerry and I decided not only to jury but curate an exhibition that reflected something about the south.Trying to avoid cliches and yet holding on to the idea of what is the South. Picture of old barns, rusted trucks, coca cola signs even kudzu, magnolia and cotton can be photograph in many places.Exotic locals can be found anywhere as well as the downtrodden and cute kids.

Jerry has just did an interview with Sally Mann and that old question was asked what/where is the South ? Like many a feel it more than see it. It is a Neverland that exist to varying degrees in our hearts and no two descriptions will ever be the same.Because each is based on the histories and memories we can remember but never fully describe.We know it, it is formed in our childhood , always stays beyond our grasp our real reality.

Which brings me to our winner this year, Snow Storm by Preston Gannaway when announced people look at us in disbelief. Even as they congratulated us on a solid selection of photographs how could this one win? To be honest the image was beautifully print and presented, In this image a complete world was shown,like a dream, it had a mood of quiet wistfulness.A moment we could all recognize that first snow.

I got my first Brownie camera,took a picture of a solumn little snowman and that was it. Funny ting when the exhibition came down a number of people came up to us to say they had snow pictures in their family albums 

Snow has always been a mystery and an occasion to celebrate in the deep South but this time it was a hot September day.

.

GILLIAN LAUB : SOUTHERN RITES

GO + SEE
Gillian Laub : Southern Rites

May 14 - June 27 2015

Benrubi Gallery

521 West 26th Street

2nd floor

New York, NY 10001

212.888.6007

www.benrubigallery.com

About three years ago on a visit Gillian Laub's studio I  got a chance to view this work.The first image has remain inside my head all this time,the vastness,the struggle between life and death in that Georgia red dirt.The feeling of heat and hope played against a sign that is a proclamation as well as a shout of desperation.Even as a southern who loves his land and place, I still find a struggle within no more than now .

This is a must see exhibition in New York now,so timely.There are three days left,yes the images and other aspects of this combination of projects will be on view in accessible forms to add to the discussion what is the south
.
The rest of this blog post is an edit of the gallery's press release, please go and see 

Southern Rites is a provocative twelve-year visual study of one community’s struggle to confront

longstanding issues of race and equality. In 2002, Laub was invited to Mt. Vernon, Georgia, to

photograph its segregated homecoming celebrations. She kept returning to the community and in

2009, The New York Times Magazine published a photo-essay by Laub titled, “A Prom Divided,”

which documented Georgia’s Montgomery County High School’s racially segregated prom rituals.

Laub’s photographs ignited a firestorm of national outrage that, remarkably, led the community to

finally integrate the proms.

Laub continued to travel to Mt. Vernon to document the aftermath, which was welcomed in some

circles and decried in others. In 2011, amid newfound hope, the murder of a young black man

(portrayed in Laub’s earlier prom series) by an older white town resident reopened old wounds.

Through her intimate portraits, first-hand testimony, and video installation, Laub reveals in vivid

color the horror and humanity of these complex, intertwined narratives.

The photographer’s inimitable sensibility ensures that, however elevated the ideas and themes

may be, her pictures remain studies of individuals; a chronicle of their courage in the face of

injustice, of their suffering and redemption, possessing an unsettling power. Laub’s photographs

capture a world caught between eras and values with extraordinary candor and immediacy—

and ultimately ask whether a new generation can finally unshackle themselves from an

uncomfortable past and make a different future.

The Benrubi exhibition coincides with the world broadcast premiere of Southern Rites on HBO, a

documentary directed by Laub herself, and executive produced by acclaimed musician John

Legend. Film, book, and exhibition constitute a major cultural and artistic achievement

KEN AKAJI : SPIRAL

BY APPOINTMENT ONLY
GO + SEE
An Exhibition of Ceramics by Ken Akaji
Spiral
June 18 - July  3
IPPODO New York
212 967 4899
www.ippodogallery.com
12 East 86th Street No. 507

                 

I  am always aware of the serendipitous moment ,that is what brought me to Ippodo Gallery New York when its exhibition space was in Chelsea.Ippodo was
a different experience for me and has evolved in New York to an appointment only space.Quiet,private elegant and more reflective.You can see and touch the wares in a more serene setting maybe with a bowl of tea and discussion about the life of the art object.

I saw Ken Akaji vessels a few weeks ago and they have been dancing in my mind ever since then .The restraint need to create a line is balance by the lushness of each brushstroke of red. So refine, yet I break into smiles because I am reminded of circuses christmas carousels clowns and candy canes.That feeling of vertigo after one has twirl to much and the spinning won't stop.Strange all of these things fitting in the palm of your hand.


Maybe the spiral is a glyph for serendipity and that is why I like it

Akaji is a part of the Kutani ceramics world, but it would appear that his philosophical designs have always been driven by his rebellious spirit. He has struggled against taking the easy way presented by tradition, banal Kutani-ware, the arguably shallow aspects of contemporary art, and outdated ideas or concepts. 

                                                                     - Spiral -

The shape of the Milky Way, of whirlwinds and whirlpools, snails and ivy tendrils-it is the form of the fundamental and mathematical energy of nature, and the pattern we, mankind, have used as a symbol of death and rebirth.  
  

KEN ABBOTT : USEFUL WORK . Photographs of the Hickory Nut Gap Farm

some books/some books/some books

KEN ABBOTT : USEFUL WORK 

PHOTOGRAPHS OF HICKORY NUT GAP FARM

 

There is no one definitive South, each state and each region within a state has details that give meaning to its citizens ,these details bring feeling which we  call place.Even the idea of what is place changes depending on the emotional relationship shared .

In 2012 I was working on a project about the Appalachians , I want to show  more than a single perceived version .I turned to classic images of the miners lives by  Builder Levy to speak of the hardship in the mountains and hollows but Sarah Hoskins and Ken Abbott provided clearly different views.

People from outside usually concentrate on the extremes of this beautiful area but Ken took on a small portion, a working and teaching far ,which he has documented over 10 years.There is no shock of hardship,just a gentle reminder of the land being used and giving back.This book reminds us of a place we would all love to come home to. 

mrbennette  

A review of the soon to be publish book by Alex Harris and link to a fund raiser and website

Ken Abbott’s photography and Hickory Nut Gap Farm is a marriage made in heaven, or about as close as we get to heaven here in the Blue Ridge Mountains in western North Carolina. For almost a hundred years, one extended family has lived on and created a uniquely beautiful farm and community in this place. In Useful Work, Ken Abbott so thoroughly and beautifully depicts the surface and soul of this home and farm, that he reminds us how the best photographers can focus on something seemingly small, yet evoke our common humanity. This book represents an extraordinary achievement in life and in art.  

– Alex Harris, Center for Documentary Studies, Duke University 

Ken Abbott

http://www.kenabbottphoto.com

https://www.facebook.com/KenAbbottLEAP

  

JANE ROBBINS KERR : Yesterday and Today

GO + SEE

Jane Robbins Kerr : Yesterday and Today

Painting and Photographs
May 28 - June 18
Tula Arts Complex
75 Bennet Street
Atlanta Ga
404 605 0605

Saturday June 13 a talk with the artist at 02:00 pm

Jane Robbins Kerr Yesterday photograph  by Ellen Kerr and Today by Donna Rosser    

I have spoken about Ms Jane Robbins Kerr photographs of the south and her home Mississippi often.I have known of these painting since 2005,it gives me great pleasure to know that at last they are being shared with you in an exhibition of both her paintings and photography. Both of these media requires observation but her painting explode with mystery and joy.Look close and you will see similar ideas in both places but the painting rise above just being a tourist with a camera.The painting sing in the eye and echo in the heart.

The gallery will have a talk Saturday afternoon June 13 with the artist at 02:00 pm if you are in the Atlanta area come out to hear about discovering new adventures and embracing joy at any point in life,which is one of Ms Kerr stories.

DEBORAH TURBEVILLE : Unseen Versailles

GO + SEE
Deborah Turbeville : Unseen Versailles Revisited

January 23 - March 21 2015

STALEY WISE GALLERY
560 Broadway
NewYork 10012
212-966-6223

The Private Apartment of Madame du Barry at Versailles, from “Unseen Versailles”, 1980

Fireplace in the Petit Apartments of Versailles, from “Unseen Versailles”, 1980

Statues, from “Unseen Versailles”, 1980

Unseen Versailles, 1980 (Pile of Chairs)

The Parterre du Midi at Versailles, from “Unseen Versailles”, 1980

51. Deborah Turbeville
Unseen Versailles, 1980 (Painting)

This is a perfect time to spend an hour looking back at the poetic photographic essay by Deborah Turbeville that was commissioned by Jacqueline Kennedy Onassis in 1981.

The quiet and elegant, Unseen Versailles. All is atmosphere,mystery,silence,longing and discovery it is like wandering in a sad dream surrounded by the saddest music and succumbing to the fatigue of the romantics that would find these images,beautiful.

They are.The artist and gallery based on earlier exhibitions by Deborah Turbeville  have created a edgy look comprising gilded frames  and order compositions facing walls of 

large scale prints attached directly to walls repeating images as if to express a breathing body of work that is as timely today as it was 25 years ago.

It is reassuring that there are still galleries that preserve the history of photographic art giving new generations a chance to see what went before.Since 1839 there has been one  long conversation, a gathering of ideas about our world and our ideas about beauty and time .I saw some of these images in a New York Times Magazine essay in 1981,they still move me now .They must be classic                                          http://www.staleywise.com

all images copyrighted Deborah Turbeville  and Staley -Wise Gallery